Object (Le déjeuner en fourrure), 1936, Méret Oppenheim. A Surrealist sculpture often interpreted as a visual pun referencing a hairy vagina, as the tea set is traditionally feminine.
Reader question: “I loved your post about penises, but what about vaginas? We think hairless vaginas started with porn, but I’ve definitely seen paintings in museums with hairless vaginas. What’s the deal? When did it all start?”
Aah, nudity in art, a subject dear to my heart. Vaginas and vulvas (with vulva referring specifically to the external genital region) in art have a quite different history than penises do, ranging from being symbols of fertility and life to being symbols of shame and impurity. As I wrote in my post on the Female Nude (a term I use to refer to the types of nude female subjects in paintings propagated by the French Académie royale de peinture et de sculpture in the 17th – 19th centuries) hairless vulvas have been around in art for a long time. How long? At least 2,000 – 3,000 years, and maybe even since the beginning of art as we know it.
Movement in Squares, 1961, by Bridget Riley.
Reader question: “2D Op Art makes you feel like it’s 3D. So how do you create 3D Op Art?”
I received this question from a jewelry designer interested in creating jewelry inspired by Op Art, but did not know how to recreate the effect in a more sculptural form. It’s true that most Op Art is created on a 2D surface – creating the effect that it seems to be jumping off the page – but, as I will go through in this post, there were actually a few sculptors even in the original Op Art movement.
Close-up of Michelangelo’s David
Reader question: “Why do all old statues have such small penises?”
The reader who sent me this felt that it was a question that was maybe too silly for my blog, but – firstly – there are no questions too silly for this blog, and – secondly – the answer to this question is actually pretty interesting.